I attended an artist’s talk Han Feng, at the Chinese
Art Centre which was organised in partnership with Contemporary Art Society
This is Feng’s first UK solo, he won the first John Moores China Painting prize last year and
Contemporary Art Society organised an
opportunity to learn about the artist’s work in person.
Feng was incredibly shy and softly spoken, almost timid; however
his work resonates with a bold and bleak defiance.
The images are reduced to simple forms; the viewer is drawn
in by the perspective into a sterile, grubby, suspended existence. Feng paints
underground urban tunnels which lead on to unknown destinations. There is no
sign of natural light as though the viewer will delve deeper into an unknown
maze or just reach a dead end. The viewer is faced with the challenge: Continue
moving forward until an exit appears or just turn back.
Feng also plays with
the notion of man’s aspiration, these towers appear endless however are made
from fragile tracing paper which will eventually degrade.
This is a leather jacket for a bird; a bird is given the
opportunity to become a consumer however will lose the ability to fly.
Feng’s work appears critical of the urban lifestyle, his
work lacks hope, forcing the viewer to conjure their own or become lost within
the urban jungle.
You can see more examples of his work at the Manchester contemporaries, (Buy Art Fair)
which launches tomorrow 28 September 2012 and will only be showing over the weekend. If you want
to invest in an artist work this is a great opportunity to gain some affordable
art!
Hi! Thank you for sharing your thoughts about Chinese art. I am glad to stop by your site and know more about Chinese art. Keep it up! This is a good read. You have such an interesting and informative page. You also have a very good choice of flowers and a very good flower arrangements. I will be looking forward to visit your page again and for your other posts as well.
ReplyDeleteBased on one of the articles that I have read regarding this topic, artists from the Han (202 BC) to the Tang (618–906) dynasties mainly painted the human figure. Much of what is known of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls get to paradise. Others illustrated the teachings of the Chinese philosopher Confucius, or showed scenes of daily life.
Chinese Art of Qi Bashi from Wen Tsan Yu Collection Brings $2.6 Million Dollars to Break All Records at Kaminski Auctions March Fine Asian Art and Antiques Auction.
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Wow interesting insights I had know idea about the hertiage regarding the name. Glad ou like the site thanks :)
DeleteThe artist is still looking for his style. And it seems not yet found.
ReplyDeleteI woukd agree, his sculptures were very different to his paintings however; thematically they chime together very nicely. I felt he is an artist genuninely searching and trying to resolve how he perceives his surroundings. Thanks for the comment I love your photography :)
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I love it! Very, very nice! Composition, colors...
ReplyDeleteLoL
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